ASCII by Jason Scott

Jason Scott's Weblog

The Splendiferous Story of Archive Team —

I figured I’d show you what I wrote as notes for my presentation at the Internet Archive.
The audio from this presentation is here. (20min, 28mb).

PRESENTATION BY JASON SCOTT
PERSONAL DIGITAL ARCHIVING CONFERENCE 2011
FEBRUARY 24, 2011
INTERNET ARCHIVE, SAN FRANCISCO HEADQUARTERS

There is nothing more tiring than an activist. They’re boring in
conversation, hard to have within earshot, and there’s a sense, coming
back to them later, of nothing having changed, because they’re saying
the same things again, and again. They’ve got this single dimensionally
about them. It’s just… tiring.

My name is Jason Scott, and I am an activist. I’m an activist about a
bunch of things, but today I’m going to talk about being an activist
concerning digital heritage.

Before I fill the full fifteen minutes, all I can say in my defense is
that even though I’m an activist, even though I can keep a shrill
one-note symphony going for way too long about the subjects I care
about, I also have a sense of humor.

I have a cat named Sockington. At this moment, my cat has nearly 1.5
million followers on twitter. He’s been featured in magazines,
newspapers, television and has fan art made about him. In the past few
years he’s been discussed during morning drive radio, and just this past
week, he was a question in a quiz in the Ladies’ Home Journal. He’s been
bombarded with endorsement deals and offers of representation, all of
which he ignores. He is after all, a cat.

So if nothing else, you can say you met the guy who has the most popular
animal account on twitter. But I hope you’ll remember the rest of what I
have to say.

I’ve been a collector for years. (I’ve learned, over time, that there’s
places to call yourself an “archivist” and places not to, and a room
full of archivists
who spent a lot of time and money on degrees and
training is not one of those places). As a collector, I had already made
it a point of going after marginalized data, the textfiles and message
bases
of dial-up bulletin board systems of the 1970s, 80s, and 90s. It
turns out that in many cases, I had one of the only copies of some of
this, pulled from printouts or late-night visits in my teens, and my
immediate urge was to share and provide them for as many people as
possible.

I could go into this further, but there’s no time. Let me just leave it
at that – history is something I care about, that I learn from, and
which, when I acquire it, I work as hard as I can to share to the
maximum amount of people.

This all became a site called textfiles.com, which continues to house a
terabyte of bulletin board system history, as well as a range of other
interesting collections that have fallen into my hands. From this, I
moved into documentary filmmaking, hosting events, and giving
presentations. And with that came being known as someone who would take
old stuff off others’ hands, and with THAT came being contacted when old
stuff is in danger.

Obviously, a phrase like “old stuff” means a wild amount of things, and
in my case, I mean customer-grade home computer stuff. Old floppies, old
machines, piles of magazines, printouts. I became the go-to guy for this
– half of what I acquire comes from a group of people discussing what to
do with old material, and someone says “Jason Scott”, and one of my RSS
feeds gets triggered, and I show up an hour later asking what I can do
to help. I’m like an EMT for computer history.

And while I’m defining things, let me say what I mean by “Danger”. I
mean danger of deletion, a danger of being lost, a danger that a piece
of history, with its value unrecognized and a lack of interest in what
it might mean, might just be lost forever. That kind of danger.

And what happened in the last decade or so, is that an awful lot of
computer history is in danger. A lot of it has been deleted. In fact, if
you step back and look at it, the loss of data has moved to epidemic
proportions. I use the term epidemic specifically here; I mean that
there is a mental condition to accept the loss of data as the price of
doing business with computers. And beyond that, the expectation that
data will be lost, and the spreading of this idea to the point that data
loss becomes no big thing.

Well, it’s a big thing. It’s a huge thing. It’s so terrible that I don’t
even know how to frame it half the time. So let’s start with what I
guess could be called my awakening to the problem.

The shutdown of a site called AOL hometown, which was actually a bunch
of previous sites put together, was only the most recent of occasional
shutdowns of user-content sites. They gave two months notice, and then
completely deleted the data, with no recourse for people to get it back.
Two months, for a site that had been up for a decade. In a lot of cases,
e-mail was out of date. Or it went to an address people didn’t use. And
when it was gone, it was gone.

Something about this really cranked me out. I guess it was that sense
that all this stuff people had made online was being wiped away as if it
all meant nothing, all that writing, all that creating, all those sites
that, even though nobody was maintaining them, still had information
other people were referring to. It was all just… gone.

I said, in an angry entry on my weblog, that there ought to be a team of
people who could rescue this data, who could swoop in and grab a copy
before it was all gone, before some decision from nowhere wiped it out.
Some sort of Archive Team.

Well, people took me seriously, and within a short time, dozens of
people offered to be around to help save sites. And so we formed
archiveteam.org, we made some fun logos, and we waited.

And then Yahoo! announced they were closing Geocities. And by announced,
I mean they quietly stuck a side mention of it in a FAQ answer buried in
the support pages. But regardless, geocities was being shut down.
Geocities!

The reactions I saw from websites and press were awful. “Good riddance.”
they’d say. “The blink tag is dead. Who needs crappy animated GIFs and
MIDIs in the background and webrings, don’t get us started about
webrings.”

But I think what they lost was that Geocities arrived in roughly 1995,
and was, for hundreds of thousands of people, their first experience
with the idea of a webpage, of a full-color, completely controlled
presentation on anything they wanted. For some people, their potential
audience was greater for them than for anyone in the entire history of
their genetic line. It was, to these people, breathtaking.

This is a site created by a mother to commemorate her lost son, who died
as an infant. What struck me, if you look at the dates, is that he died
in 1983, a full 15 years before Geocities came along, and her feelings
were still strong in two ways – she wanted to keep his memory alive, and
she saw Geocities as the way to do it. Wiped away completely with the
shutdown.

Again, I don’t have time to walk through other examples of user
creations worth studying or considering, but rest assured, there’s
plenty. And with an arbitrary, vicious, heartless move, Yahoo! shut
Geocities down.

But not before some copies got made.

Archive team used dozens of people on hundreds of IPs, imitating other
search engines and utilizing a whole bunch of tricks, and we duplicated
as much of Geocities as we could. There were other parallel efforts and
those are appreciated, but we got 900 gigabytes of Geocities. We have no
idea what percentage of Geocities we got, but all I know is that
Geocities fits, continues to fit on a hard drive the size of a pack of
cards.

In the time since, we occasionally get contacted by people who watch the
geocities shutdown happen, watched their own sites get shut down, and
tone-deaf policies and lack of response meant they sat back and watched
it happen, feeling entirely helpless. In one case, a widow had her
husband, a veteran, upload all his photos from his enlisted years into a
geocities account, then die off, and never give her the password. She
could browse the site, but she couldn’t change it. Imagine that horror
as she watched the site come down, to have her husband die again. And
imagine the letter we got when she got it all back again.

We took our copy of Geocities, that 900 gigabyte collection, and we
compressed it down to 645 gigabytes. 645! And then we did what I think
any reasonable person would do – we released it as a torrent.

That torrent will be fully seeded by the end of the week, and a few
dozen people will have Geocities to study, to research, to work with.
And a half-dozen USB drives recently went out to waiting and grateful
people as well.

This got a lot of attention, a lot of press – I read a lot of articles
and listened to a lot of podcasts about what Archive Team represents,
what it means, and the rest. And here, as I start to wrap up, is what I
think needs to be understood.

New York City is on the verge of banning smoking in public places. It
may or may not pass, but previously, a few decades earlier, it was
considered impolite while you were smoking in a restaurant to blow the
smoke into a baby’s face. I lived in Waltham, Massachusetts for years –
and decades before I lived there, you could tell what the next year’s
fashion colors would be by the colors of the dyes in the Charles River.
My point is, things were a certain way once. People who did things then
were just following the general order, and to do differently would be
strange. Friendly, or accommodating to an unexpected degree, but
strange.

Right now, we live in a world where the wholesale destruction of a place
like Geocities is a punchline, a tossed off puff piece. The natural
order of doing business. It IS the natural order of doing business.

The current natural order of things for hosting user-generated content
is this: Disenfranchise. Demean. Delete.

Disenfranchise. Cut off any amount of support or awareness by users of
their environment and what they are putting their lives into.

Demean. When a site falls out of favor, act like it’s an electronic
ghetto, not worth consideration as a valid entity. Think Friendster,
orkut, myspace, geocities and a dozen others. Say their name in the
company of people who understand the technical issues, and they snort.
For a lot of people, these sites are parties, and the party is over.

Delete. Give a random amount of warning, and I mean, it really is
completely arbitrary and made up, and then delete, with no recourse,
nobody to ask for a copy, nobody to contact to retrieve your lost data,
your husband’s history, your child’s photos. I’ve seen periods as long
as a year and as short as 48 hours. There’s nothing, no standardization,
no agreed upon procedure for decommissioning these sites. It’s all just
being made up as it goes along.

Somewhere around now, people start using phrases with me like business,
profit, how the world works. This isn’t about business. This is about
understanding that user data is a trust, a heritage, history. And
because we’ve turned it into just another thing just as millions and
millions are going online, the disasters will keep coming.

So until this gets straightened out, before we stop blowing smoke in
babies’ faces, we have ad-hoc solutions like Archive Team.

Archive team doesn’t ask. It takes. It takes and it dupes and it saves.
Sometimes, it’s been cheered as it does so. Sometimes it’s been
ridiculed, criticized, threatened. But this isn’t a party, or a
nightclub, trying to be the new popular thing and the new way to pump
your fist and act like you did something. We’re getting stuff done.

As I speak here, dozens of people are downloading Yahoo! Video, which
announced late last year that it was closing on March 15th.
Specifically, they announced they were deleting all user-generated
content, but keeping the general site. We’ve been coordinating
bandwidth, disk space, and how to get the most data out in the most
efficient manner. We expect the resulting collection will be 25
terabytes of data. Perhaps that sounds like a lot now, but you can buy 2
terabyte drives for $80 on special. It is, in fact, not a lot. So we’re
doing it.

Besides the scraping of millions of Delicious users, a small subset of
archive team has formed URL team, dedicated to pulling down the content
of URL shorteners. URL shorteners may be one of the worst ideas, one of
the most backward ideas, to come out of the last five years. In very
recent times, per-site shorteners, where a website registers a smaller
version of its hostname and provides a single small link for a more
complicated piece of content within it.. those are fine. But these
general-purpose URL shorteners, with their shady or fragile setups and
utter dependence upon them, well. If we lose TinyURL or bit.ly, millions
of weblogs, essays, and non-archived tweets lose their meaning.
Instantly. To someone in the future, it’ll be like everyone from a
certain era of history, say ten years of the 18th century, started
speaking in a one-time pad of cryptographic pass phrases. We’re doing
our best to stop it. Some of the shorteners have been helpful, others
have been hostile. A number have died. We’re going to release torrents
on a regular basis of these spreadsheets, these code breaking
spreadsheets, and we hope others do too.

I’m glad to have made your acquaintance. It’s been a fun ride. Come
along. And if you find yourself in a position of making a few key
decisions about user-generated content, and exporting, and retention or
shutdown policies, I’m always available to chat.

Or, you could just follow my cat.

Thank you.

 


This is Fairly Big News —

Let’s just cut to the excellent, ass-kicking chase.

This month, I was offered and accepted a job.  The job’s title is “Archivist” and the office is here:

Internet Archive

That is in fact the main office of the Internet Archive, yes, that Internet Archive, and yes, this has really happened.

You’re either indifferent, delighted, or reeling, so let me fill in some details. I will continue to be primarily located in NY state, with occasional trips out to SF to work on projects or meet with people locally.  None of my current online projects, like textfiles.com or Archive Team, are going to disappear or become owned by the Internet Archive, although the opportunities for collaboration and mirroring just went up exponentially. It primarily means I can stop thinking about where my next meal is coming from or live in terror of getting sick and start thinking where the next cache of must-save data and computer history is. I am still going to make documentaries. I am going to continue to be GDC’s historian/archivist, helping them save a bunch of computer history. I’m just going to be doing what I’ve been doing, but do it more.

If I had to describe it in a one-liner, I’ve just gotten a powerful exoskeleton for the archive projects I’ve been up to for the last few years. I mean, seriously, look the fuck out.

I finally got to meet and talk with the folks from the Archive during my trip out to speak at the Personal Digital Archiving conference, which was hosted in their Sanctuary. Oh, you haven’t seen the Internet Archive Sanctuary?

Sanctuary at Internet Archive

See, these people have style. I am a fan of style, a huge fan of style. After touring the place, meeting the folks, and just finding out what was up… well, let me say, let me honestly say, I couldn’t find a single thing to complain about. This is me we’re talking about. Nothing! They do everything right! They approach it fantastically! The goals and mandates and awesomeness are so pervasive you start to wonder where the Oompa-Loompas are, and which room has the everlasting gobstoppers. It feels like home.

There are still details to work out, parameters to figure out, all the sort of things that collaboration brings.  I will not be speaking for the Archive – I am, as said, an archivist and I have my hands in a lot of projects that don’t necessarily overlap and the Archive has a whole bunch of projects that I am not necessarily involved in. That said, I hope a thousand wonderful things bloom from this, and when I ferret out and do fieldwork to bring in history, I will have some pretty ass-kicking tools and resources at my disposal.

So there you go, that’s about as big as it gets. I can’t wait to get started in earnest.

But before I do.

So in September of 2009, I decided I was done with having a job I tolerated to make it fund the stuff I loved. I decided my job would be something I loved. I was in no position to make that happen alone. I reached out, in a Kickstarter campaign, to raise funds to finish GET LAMP and keep me going while I got my life in order.

342 people (plus a dozen others through other means) stepped forward and made that goal a reality. It gave me the time to finish the movie, begin showing it, move, and begin my new life in earnest.  Because of all those people, I was able to accept work for the Game Developers Conference and do archive work for them.  And I am now about to turn to the Internet Archive on a dime and immediately accept an offer to work with them.  So let me be clear about that: those people changed my life. Permanently.

Other, more concrete details will arrive in time. Until then, well, let’s go with FUCK YEAH.

Get Lamp @ Alpha One


GET LAMP San Francisco Showing Tonight —

OUT OF NOWHERE comes a viewing.

Well, OK, they scheduled this a while ago but for some reason I don’t tend to announce these showings on this weblog. But, why not.

I am in San Francisco, and the San Francisco Bay Interactive Fiction Users’ Group is having a showing of GET LAMP, with me attending for a Q&A.

Here’s the details on where to RSVP for the showing.

Consider coming by, if you can.


Archive Team Yahoo Video Final Push (and a rousing speech) —

What, two Archive Team posts in a row? Well, it comes down to several factors:

  • I’ve been travelling for well over a week and change
  • A lot of the posts in the hopper are essays and rants not quite out of the oven
  • This whole yahoo video download is very important
  • I am attending GDC in my capacity of Historian, and that is an all-day thing

So many times I’ve gone out to some location for a while for a conference and all I have to show are a a few photographs and the stated fact I went to the conference. This time, I’ve been also talking with people at night, and also working really hard with the swelled-ranks Archive Team to download the Yahoo Video juggernaut.

To recap: Yahoo are fucks. Wait, let me try again.

Yahoo! are about to delete all user-generated content on Yahoo! Video and that is really busting my crank, as well as the crank of a lot of people that have joined Archive Team to rescue it.  We’re now to the point that the whole process is pretty smooth, and we’re getting in the end-time amount of stuff left to do, but we need your help, UNIX-knowing person with a server having more than 500gb free. Oh, you know who you are.

For anyone who can’t join in the fun, let me post this speech I gave at the Personal Digital Archiving conference last week. There’s both an MP3 and a text script. Bear in mind the audio does not match the script – I can’t help but improvise. I am sure they will have a video  for watching later, although there’s no slides, so all you’re missing is my crazy gesturing and hat.

Why is it echo-y? Well, the Internet Archive has the most awesome speaking room ever:

They moved recently into an old Christian Science hall and the servers and offices are all scattered within this incredible building, now redesigned to use the heat from the servers to heat the building.

Anyway, here’s the pitch about the Yahoo Video final push:

We’ve been downloading like crazy. There are 9.3 million user accounts/spaces on Yahoo! Video. We’ve scraped the user information and user photos from over 9 million of those. We’re expecting the remainder to go down very quickly.

Meanwhile, we’ve downloaded roughly 7 terabytes of Yahoo Video and are downloading a bunch more, from whatever 4 million of those 9.3 accounts uploaded.  A lot is coming in, and this is due to the work of dozens of people pitching in where they can as we have a raucous time.

The generous folks at rsync.net have donated a month’s storage of over 6 terabytes for video for a holding spot while folks rush to get videos somewhere so they can download more.

Yahoo deletes ALL these files from the site (it will likely continue as a directory or paid-content version) on March 15. That’s less than two weeks. It’s going to be close. We need people with UNIX, Bandwidth, and Disk. If you have that, please come to #archiveteam on the EFnet IRC Network and join up, or talk to us, or whatever you’d like to do.

Or, send us cash. Literally. The way we’re doing this is to put them on pairs of 2 terabyte drives. Those drives are relatively cheap but cost money. It costs us roughly $180 including fast shipping to get every 2 terabytes (again, a pair of them; data shouldn’t go to a single drive). Anything you want to donate to this cause will help us buy more drives. paypal to jason@textfiles.com marking clearly that this is toward drive space.

OR you might be or know an institution who would like a copy of what we’re downloading, and can provide us an array of disk space to send you a copy. These are going to be upwards of a few million .flv files, along with .html files describing them and user account information besides. Maybe you’re an academic institution or a research facility or whatever. Would you like 4 years of a self-driven sociology and history project run by millions of folks? Sure you would. Write me or come on the IRC channel.

There, I’ve made my pitch. Within a few days, it will become harder and harder to give folks blocks of things to do, although we expect we will be splitting up in-process tasks as we lift away the hundreds of videos an hour we’re currently bringing in. It’s a huge management headache but we seem to have it all going well. We’re learning a lot about a huge volunteer team project, too.

Enjoy the speech. Give some cash. Give some time.


A Valentine from Archive Team —

Well, not so much a valentine as a status update. But we’re just trying to help the lonely, here.

It’s also another call to arms.

But first… the Geocities Torrent/Collection. You’ll be glad to know multiple copies are out in the wild. However, the main torrent has taken a little time to get to the roughly 90% seeding that it’s now at. The main reasons were a key disk drive failure and a dying but not dead router. Both problems are fixed, and we’ve been cranking away, and expect to have 100% seeded within the week. Additionally, a stack of hard drives handed to me at Shmoocon resulted in five copies on said drives going out via good ol’ mail. Some people will seed, others will work with the items, either way – saved.

People who have downloaded the amount they got so far have been ripping apart the 900gb of files in the collection (643gb compressed) and working with it. I think my favorite, even though they’ve made fun of the choices I made in compression/setup/schedule of downloading, is One Terabyte of Kilobyte Age. Between their commentary, combining of contexts, and general curating, you can begin to see all the interesting ways people used Geocities to express themselves and live their lives. This is just what I had hoped would happen.  I don’t think this torrent is for everyone, which is why the README is very clear that sites like Reocities will do a lot of the job for you.

So great, Geocities is pretty much out there, and will join the world again, with a lot of neat uses of it coming up.

As for Delicious.com, I’ve been scraping usernames and URLs from Delicious from some time – so far, I’m past 3 million accounts. We’ve not really been expanding that project out because Delicious hasn’t been declared dead or sold – yet. But when the time comes, this constantly growing list of users and URLs will be utilized to do a final grabdown of the whole mess.

So what’s next for Archive Team? Funny you should ask!

Yes, that’s right, our big project right now is Yahoo Video, which has the more-hilarious-every-fucking-day slogan of “It’s On.”

Late last year, Yahoo! snuck this banner into the top of Yahoo! Video:

Yahoo Video didn’t grace the world with Alt text for this image, which is kind of a slap to the blind and visually impaired (and if you think the blind/visually impaired don’t use a video site, well, let’s go with “you’re wrong”).  So allow me to make it slightly more accessible: “Yahoo! Video is changing. We will have new policies for user-uploaded video, and existing uploads will be removed on March 15, 2011. If you have uploaded video content to the site, click to find out more.”

If you click on said banner, you get the help page. No other guidance. What I guess they want you to do is root around like a fucking mole in panic mode trying to find out how to get your stuff. Let me save you some time; they want you to see this:

“On December 15, 2010 the functionality to upload a video to Yahoo! Video was removed and download functionality, available through March 14, 2011, was added to users’ video profiles to allow retrieval of content. The user-generated content will be removed from Yahoo! Video on Yahoo! Video on March 15, 2011. We apologize if this causes you any inconvenience.”

So as usual Yahoo! is deleting terabytes of user-generated content and as usual they are doing it in a clunky, fucked-up manner and as usual the timeframe is arbitrary and out of nowhere and as usual Archive Team is here to clean up the fucking mess.

So we’ve been downloading it. We’ve been downloading it for a month. Seriously.

It’s been a crack team of people, all donating time, bandwidth and disk space to download every single video out of Yahoo! Video. We’re at full clip, but we need more volunteers, or we’re not going to make it.

Even though it’s the second-most popular video site behind YouTube, Yahoo! Video is actually sort of small – we’re sure it’s under 20 terabytes, and it may be significantly smaller than that. We know it has 9.3 million users. We’ve scraped the full user information and video listings for 6 million of the 9.3 million users (with the rest falling very quickly, probably within the next few days). From those video listings, we’ve been downloading the user videos: we’ve grabbed the videos of over 1.4 million accounts (not every account has any videos), and we’re well past two terabytes. We’ve got this whole thing down to a science – you need a unix box, python, wget, and an iron will. That’s it.

I’M MAKING A GENERAL CALL HERE. GO TO #ARCHIVETEAM ON EFNET AND ENLIST TO ARCHIVE TEAM. We’ve got less than a month now before Yahoo pulls the plug.

We’ve got the whole thing going smooth as glass. If you’re not sure you can help, come in and ask. If you think we’re nuts, go away. And if you want to know how we’re doing, stop by.

Don’t delay. We have less than a month.

It’s On.


Since You’ve Been Gone —

ASSHOLE + PARADISE = PARADISO

OH HI THERE.

I’m Jason Scott, and if you’re reading this you probably have me in some sort of RSS or Feed Reader. And, in some cases, you had the feed suddenly blast out a bunch of new entries where the last one was from some time in December.

So, it appears some hackery got into my weblog via a particularly not-well-engineered plugin, and it added this thing that would replace any occasion of connections from Google-related stuff (like search and feeds) to show spam, while looking entirely normal to some rube browsing it normally. This particularly insidious issue was very hard to notice. Like Syphilis! Which I don’t have.

The infection appears to have hit just after the posting called “The Penalty Box”, and since that one was about being in the hospital, I am sure that might have freaked everyone out who didn’t check into the site. Sorry about that! I got out!

So, for ease of use, here is a list of all of the entries from Penalty Box onward, in case you missed some entries and didn’t know it. If anyone sees any other dead feeds, let me know, I’ll see about fixing them, but we should be to normal now.

ENTRIES YOU MIGHT HAVE MISSED:

The Penalty Box – In which I indicate I went to the hospital. I got out.

RSS Issues – In which I indicate I am having feed issues AND YES I KNOW THE IRONY

Be a Hero to 79 Wayward Cubes – I asked for (and got) help in storing all the legal documents from the DeCSS case.

Yahoo!locaust – Got lots of traffic on this one. Turns out YAHOO IS DELETING SITES.

A Pair of Shoes – I am really hard on shoes. Hey, shut up, it was a slow news week.

Geocities Torrent Update – Turns out torrenting Geocities is hard.

Information Cube Packing – Some updates on the Information Cube, which is closed for the winter.

The RSS Problem – Yes, I STILL had the problem at this point.

The BBS Documentary Reborn – In which I let you know 1000 more BBS Documentaries have arrived.

Where is Dor Sageth? – Just passing along some questions about the fate of an online game.

Tim – Losing a friend happens. But not usually when the friend is 36.

Destroying the History to Save It – Some thoughts on scanning and destroying while doing it.

All I’m Saying – And that’s all I’m saying about that.

The Next Documentary – Some thoughts on the next documentary I’ll be doing. Two documentaries, actually.

A Hands-On Project – I am volunteer editing someone else’s documentary. (This is different than the two I mentioned before.)

The Review Fascination – When people dislike GET LAMP, they REALLY dislike GET LAMP.

Has Never Filmed, Will Never Film, Might Film – Some ideas for documentaries that I’m not doing.

That’s it! Thanks for understanding. Happy reading. Here’s me with a turtle.

WHERE DOES THE USB GO


Has Never Filmed, Will Never Film, Might Film —

I’m stacking documentary-related post after doc-related post, mostly to get these all out of my head for a little while. I wanted to address some documentaries I’m not doing, along with examples of them being done, or whether I think they should be done at all.

While being interviewed by Off The Hook during the months before GET LAMP came out (and here’s an MP3 of that) there’s a moment when I’m asked about the production quality and features, and the co-host basically says something along the lines of “as we expect from a Jason Scott Production…” which almost knocked me off my chair.  The idea that I had a reputation among some folks of making elaborate, involved packaged collections of documentary work, with only one under my belt at the time… well, that was just a big surprise. Of course, with a gold/silver coin and custom painted mural, I guess they were kind of right.

So if there’s an actual idea of a “Jason Scott Treatment” that a subject can receive, well, then you know I’d only be doing it for something that I thought desperately needed saving, or really deep inspection, or any of the other attributes that come with spending years on a project. And for some folks, they see someone who makes films like I do, and they really want me to make a film about their pet subject. Well, after more than half a decade of suggestions, I figured I’d give a list of the ones I am very unlikely to ever get to, in the hope others will step in. I reserve the right to change my mind, but that’s unlikely too, unless people come along with the explosive mixture of a lot of money and a total trust of my ability to come up with a film on the other side without meddling. Yeah, that’s what I thought as well.

Here we go.

PIRACY

I get this a lot. Do one about pirates, they say. Usually the request is something about previous pirate scenes, current pirate scenes, specific pirate scenes, etc.  Maybe something about torrenting, or the “real” history of pirating, or, honestly, don’t know what. I think part of this comes from how folks got really stoked when I did that “You’re Stealing it Wrong” talk at DEFCON. That spread out in a lot of directions and I think inspired some folks to think that someone could actually do some sort of piracy overview that was entertaining, colorful, and maybe somewhat accurate. And maybe I was that guy!

First of all, I already did a piracy documentary. It’s the HPAC episode of BBS Documentary, and it centers around Apple II pirates active in the 1980-1985 period. Why? Because pirates don’t come on camera. Not if they think they have a chance of getting a bad rap from it, or in trouble, or hauled off to jail. They really, really don’t. I focused on guys for whom 20 years of good behavior/new life/safe distance enabled them to talk about it. Anyone either active or recently active does not want any part of any documentary, unless it’s to berate or warn whoever’s making a film they should get it “right”.

I’ve got people telling me to do a Commdore Pirates documentary, from the same era as the Apple II guys, but I personally believe it would have nothing new to say than what I got from the Apple guys in HPAC – only the screenshots would be different and more colorful. That’s not enough.

The closest we have to such a piracy documentary as people want me to make is probably either Steal This Film or Steal This Film II. Spoiler alert: Steal This Film II is miles better than Steal This Film I, but go ahead and watch both if you don’t believe me; they’re available for free. Or watch Good Copy Bad Copy, also for free, which is also goddamned fantastic.  Or even On Piracy, my buddy Julien McArdle’s documentary on piracy, which while mostly Canadian-themed and containing one re-enacted interview (of a pirate), is what I think most people would expect from a Piracy Documentary. Sometime this year we can expect the release of Away from Keyboard, a documentary on The Pirate Bay and the legal case around it – I can’t attest to it, but in combination with all these other films, you can probably feel a lot of the “stuff” around software piracy is pretty well covered. I don’t need to get in there; it’s totally redundant.

DEMOSCENE

No, I am never, ever, ever going to do a documentary on the Demoscene. I don’t even want to do a documentary on a single Demoparty. First of all, I’m American (Panamerican, North American, whatever it’s called in the scene) and that’s already a blow, but beyond that I don’t even get along with a lot of the people in it, which would of course be an interesting challenge but not a way I want to spend years of my life. Swimming upstream through a flurry of punches to get the opportunity to let demosceners tell people the demoscene is interesting and great is something I might have attempted in my 30s, but I used that time on the previous two. So no.

But damn, everyone is in luck, because last year a group called Yle New Media Development released a series of episodes about the Finnish Demoscene. Called The Demoscene Documentary, it has some wonderful heavy hitters, awesome never-before-seen footage, real insight into the process, and best of all, people are interviewed in their native language and subtitled, something I just simply could not do in any easy fashion.

Now, I say this and I must point out they still got punched in the gut for all sorts of perceived transgressions and missing data and too much focus on the past versus focus on the present, etc. And yes, I probably could go after aspects of this others aren’t. But no. Not happening. Never happening.

HAM RADIO

This was suggested to me by OpenFly a while back, and he’s right. If there were two of me, I’d be doing this documentary. It has everything BBS had – a long history, a hugely variant knowledge base, tons of documentation, ready-for-the-camera people and locations, and tons of stuff I could delve into on the human side.

Ham radio is both amazing and critical even to the modern era. There is no question this documentary has to be made.

It’s all there! But I just don’t want to work on this subject over the ones I want to work on. To do two “mega-docs” would be just too much for me – I’m still a one-man band.  But this mega-doc needs to be done! Someone, get in here! I’ll happily be a consultant or producer. I just can’t hit the pavement.

ATARI, COMMODORE, SIERRA, A BILLION OTHER COMPANIES

“What about XXX, which made XXX, which is part of computer history?” No. I’ll do a documentary in service of another, larger theme for something, but I am not really interested in tracking down another company. Infocom was hard enough and I was very lucky to be given access to Steve Meretzky’s archives before they were donated elsewhere.  While I agree a Sierra documentary would probably be interesting, that’s just not an area I want to spend the time on and there are some real fantastic people who’ve collected stories out there and could do it better. On the other hand, there are actually quite a few company documentaries out there.  Howard Scott Warshaw did a series called Once Upon Atari (which IGN apparently got the rights to show online a few years back) which was one of the inspirations for BBS, actually, and not only is Viva Amiga deep into production, I’m in it! It’s going to be great!

So no, not happening.

DUKE NUKEM FOREVER

I just had to drop this one at the end because while I am not going to make this, SOMEONE REALLY NEEDS TO MAKE THIS. But you have almost no time. The game is supposed to come out in May, and yes har har but it went to a third party and they really did finish it… but while the game is still a mystery and a legend in people’s minds, this is the time to go with a camera and find as many of the parties and the game people and everyone else and get the feeling for this. Find all the people you can, developers, creators, pundits, plain ol’ players…. oh my god, it’d be the most fantastic thing. I’d totally do this if I didn’t think it wasn’t my responsibility. I’ll happily consult and produce. Just get fired up. Do it!

THERE ARE PROBABLY MORE

…but these are the ones I get asked about all the time. I hope I’ve given some decent reasons, and hope that you enjoy the films that others have made in the same subjects. But I am not your guy.


The Review Fascination —

This could all be misinterpreted, so let’s just make sure all the positives are on the top, where most people stop reading.

The BBS Documentary sold very well. Enough that I ran out of copies.

But GET LAMP has sold better. Way better. Way, way better. How much better? I’m down to less than 25 percent of my initial stock, after being on sale for a little over five months. To get to this point with the BBS Documentary took four years. In fact, one of the reasons that the BBS Documentary has sold out is because of a dual-pack I had with GET LAMP and BBS that drove sales skyward.

Every day of every week, I am getting orders for this film. I am getting enough orders, and they’re disrupting my daily routine and plans for new projects that in the next few weeks I’m transferring the duties over to a fulfillment house. (They’re nearby and I’ve used them before, so I know the process will be in good hands.)

I get fan mail. I get a lot of fan mail, and thanks for that, but a lot of that fan mail is about GET LAMP and what it meant to the writer.  Long nostalgic memories, questions about learning more or playing more of these games, and questions about technical aspects of production or choices made. Great fan mail.

OK? So things are awesome.

So, as someone who spent some time at film school, I was trained or brainwashed to be interested in film criticism. Less reviews, than contextual discussion and consideration of the meaning of films. I mean, sure, I love hearing star-rating reviews and otherwise seeing the reaction, but I’d hoped that the stuff I’m making would be deserving of an essay or two. If you want an example off the top of my head of this sort of essay, I point you to this rather recent takedown of the Yogi Bear Movie’s problematic portrayal of the bears.

As it stands, I’ve not really seen much of that with either BBS or GET LAMP, although in both cases I’ve seen people use the existence of my film as a jumping-off point to go into a large monologue about their own history. I am completely behind that, since it’s adding to general knowledge, although obviously my films are just a catalyst, instead of the subjects.

And oh, yeah, there are definitely some sweet ones out there, like this positive one from Z-Machine Matter .

But on the whole, reviews have been one-liner, mentioned in weblog entries or forums, not really intense.

But, somewhere out of there, comes this review:

Get Lamp (2010)
I like text adventures games, so it would be normal to assume that a documentary about text adventures games would be an interesting watch for me, but you would be wrong. This movie is aimed at nobody but the maker himself. I can’t find a single redeeming feature in this documentary, they hardly even mention the games. This is just a boring movie, especially if you like to be entertained.

See, now this one fascinates me. It’s in a set called “top 5 worst movies in 2010”. He hastens to mention this is his top five of movies he’s personally seen, which is to his credit. He has a post with his top 10 of 2010, and it includes expected AAA blockbusters like Inception, Kick Ass, Shutter Island, Robin Hood, Scott Pilgrim, etc.  So, of the fifteen movies in his best/worst list, my film’s the only documentary, which I guess says something… but what’s going on there? I’ll probably never really know.

Similarly, it’s easy to go to a thread like this one at Atari Age, ignore comments that say things like “It’s really done well, with fantastic artwork and 2 discs chocked full of IF goodness” and “if anybody deserves the cash, jason scott does” and just go find a comment like:

The film itself and the Infocom documentary are extremely interesting, but the rap music that (highly incongruously and un-atmospherically) opens the latter is ridiculous. Why everything has to be tainted by this unfortunate aesthetic trend is beyond me.

Actually, that comment doesn’t really bother me that much, to tell the truth – I know why the rap music is there and why I chose it, and I can live with it. And as I said, this thread is packed with accolades.

But I do want to pull this review from it:

I watched Get Lamp a few weeks ago and i have to say it was average at best. It was interesting to hear how fascinated people seemed to be by the original Adventure back then. But there was way too much redundant babble of Fans which made the movie pretty boring. IMO not worth 45 bucks…

And while we’re here, here’s  another one (it’s a tweet):

Just finished “Get Lamp”. Didn’t really like it that much. 6/10, 3 stars, C+ and stuff like that. Kind of a disappointment really.

Now, in the case of these last two and a few others, here’s what I think is going on:

  • People are downloading the FLAiR rip of the film.
  • (Hopefully they’re downloading the RePack, which goes in order. Let’s assume yes.)
  • They watch GET LAMP, the main film.
  • Done. Review it.

I know this is the case in both films when I see someone describe something wrong, like “it’s a 3-DVD set” or “it’s an 8-DVD set” in describing it (meaning they obviously don’t have the physical item), or a major omission. Case in point:

A lot of the rip-reviewers get very pissed that GET LAMP doesn’t spend more time on Infocom. This would be a good criticism if sitting next to the movie on the DVD wasn’t a 50-minute Infocom-only documentary with thirteen employees interviewed (along with some Infocom historian and perspective-providing folks) and covering the entire history of Infocom pulling from thousands of pages of material and photographs. In fact, some of them appear to be so offended that I waste time on “fans” or “the new people” that they give it a sour grade on that fact alone, unaware that their concern was handled in, you know, the whole product.

The strict irony here is that FLAiR was trying to do me a good turn by only including one piece of GET LAMP and imploring people to buy the whole thing if they liked it.  And without a doubt, a sizable number of people have, in their Paypal comment field, told me they downloaded the movie, watched enough of it to go “oh yeah”, and then merrily trotted off to the sales page to get a copy. So it worked, generally. It’s just that when it doesn’t work, it really doesn’t work.

Documentaries are a special thing, which is why I like them – they should inform, entertain, respect, and present a way for a subject to present itself in new locations and stages, so that people previously unaware of something become aware of it. If you’re lucky, you can construct something that people who think they know something learn even more about it, far beyond what they thought they were missing, if at all. A film that leaves you smarter, in other words, not dumber; something where the number of your brain cells that died in that hour and a half were replaced with a bunch of new imprints on the remaining ones. It’s a good goal!

Believe me, I have watched some shit documentaries. Like, real shit, ones that are basically slideshows with a droning “director” never pausing for breath while telling you exactly what to think.  I just can’t imagine making one of those and thinking you made the world better.

I also recently got to watch all the oscar-nominated short documentaries on the 2010 list, and I know I liked the ones the most where I saw stuff happening, right there, that I either didn’t know could happen, or which I didn’t know happened that way. (Pretty much all are in-the-moment, telling you about unfolding events, like fighting pollution or refugees, as opposed to any sort of reminiscing like my films have been to this point.) No acting, or reenactments, no making crap up – there’s the person, they’re telling you what’s going on, now you see it. A couple of the documentaries had very short looking-back sequences, mostly to tell you the person/place wasn’t always in this bad shape.

So where I sit with the films I’ve made is that they’re specifically going after subjects that nobody else has covered to any real amount. (There’s a few small BBS documentaries out there, a few documentaries that mention interactive fiction or text adventures, but my stuff dwarfs them in depth and breadth.)  And I can find some similar thematic approaches out there, but on the whole, the problem is not just getting a grip on the subject and dragging the camera and lights out to the right people, but knowing where to start, and where to finish. Sometimes the production itself makes that choice for you. And when you choose not to cover something, the howls are that much louder and the anger that much more intense, because for some people, they know this was it – this was and is probably going to be the film on the subject, and when my little road-show is gone, that’s it. But some people are just pissed my film isn’t like a host of other documentaries they’ve seen, documentaries that, in fact are primarily faked combinations of unrelated events.

Again, for a good portion of the audience who buy my film, the reaction is what I intended: this box comes in the mail, it’s got this amazing coin and nice packaging, and then it lovingly covers the subject to an insane degree before leaving you to browse around interesting related material that in some cases represents small documentaries of their own. (There’s a 10 minute documentary on the making of Atari Adventure, for example, on Disc 2.)

GET LAMP and BBS hold a lot more in common with a film like Hannu Puttonen’s The Code, which is an attempt to describe the meaning and ideals behind open-source software, via interviews and illustration.  The concept is ethereal and the patchwork of ideas brings out knowledge or learning in the audience.  And, of course, people will judge it based on the fact everyone looks like a programmer. Oh well! But the important thing is that such a film was made, and that with 10 years now behind it, and we can go back and watch it and get the words from the people themselves about their thoughts at that time. That is precious, no matter where your opinions lay about the subject.

If I keep making documentaries, I don’t think the style is going to change –  but it’s interesting to note how I’ve now learned that there’s a small price to pay for splitting a subject up into multiple episodes and creating a deluxe package of a subject – the willingness of people to download one small piece, think they saw the whole thing, and start pontificating on it is both fascinating and terrifying. I don’t like any of the solutions that change how I make the films, so I’ll probably stick with just realizing they’re a tiny minority of the people who truly support the film buying it as a package.

I’ll probably still keep an eye out for them, though.


A Hands On-Project —

This is not related to my announcement that I will announce another couple films.

Having finished two major projects in documentary, especially technical documentary, means I hear an awful lot about other productions of a similar nature. Most are tiny one or two-person projects, involving one driven individual and their buddy. Sometimes it’s more involved than that, but not by much. In terms of contacting me, some just want me to know they got inspired by what I did. Others are seeking advice or some level of assistance.

As time has gone on, some of these projects have caved, others have thrived and been released. I know some are in the final editing stages while others are a pile of tapes and a fleeting memory to the creators.

One in the danger of being in the second group was The Two Hands Project (or Two Hands Project), which was a documentary on Hackerspaces and the Maker Movement filmed by three fellas across a month utilizing the Jet Blue All-You-Can-Jet pass (the one I was inspired to buy a year later for my own Jet Lamp tour). During this month (September 2009), Bilal Ghalib, Jordan Bunker and Paul Jehlen flew to a hell of a lot of hackerspaces to talk to them about what makes their spaces tick and what sort of folks would be interested in hanging around making stuff. They were assisted by other crew at various locations. They filmed over 50 hours of footage, including some of me and the space I’m associated with.

Then September ended. Then it got quiet.

Too quiet, as it turns out. I started checking in on things about a year later, poking them to find out what was up. Scant response, until I got the word that yeah, things were not looking good. The stuff was shot but it was thought maybe it could be used as some sort of fuel for a new documentary about hacker spaces being worked on by one of the original crew members. As someone who has seen where this was going, I didn’t like it at all.

So I offered to edit it. No strings. I’d make a movie out of it. They (and by they I mean Bilal, as he had the tapes) said yes.

A few weeks later, the entire contents of the Two Hands Project ended up at my house; roughly 50 MiniDV tapes, a hard drive with photos and footage, and a lot of work to do.

Obviously, I have to prioritize on my own projects, but I think we can get things in better shape sooner rather than later. Here’s some shots from Two Hands, in case you’re wondering what it looks like:

thp21

In other words, a standard-definition handheld set of video shots of people working in their clusters of like-minded folks in buildings all over the US and Canada.

So, the bad: the interviews are often handheld as well, which means they shake back and forth while someone is speaking (I note some later tapes got a tripod in the mix). The sound bounces back and forth from really good to “HEY OVER THERE” in some places. In at least a few cases the sound wasn’t turned on, making the interview completely lost. This was obviously done by people with scant filmmaking experience in the realm of the “make it look and sound good” side of things.

But the good: EVERYBODY is in the fuckin’ film. As far as the linked hackerspaces.org crowd goes, they really went all over, and while I’m sure there’s plenty of spaces they missed, the geographic spread is breathtaking; I’ve seen footage from Atlanta, Boston, DC, Toronto, Buffalo, NYC, Rochester, Washington DC, Baltimore, Ann Arbor, Seattle, Los Angeles… and many of these cities contain footage from multiple spaces nearby. They didn’t shy away from walking around locations while people did stuff, filmed a bunch of environmental/surrounding area shots (although often with crazy shaky-cam), and didn’t let too many people slink away in the shadows while the cameras were coming through. And the questions are wonderful – as one of the interviewees I can say they really did a great job pulling out stories and statements from their subjects, and folks give out some real fantastic answers.

The raw footage is a real rich tapestry of human beings and their spaces. There’s faces of people I myself recognize from years of hacker conventions, who I never got a chance to meet. I guess “I edited you in a film” will be a good conversation starter.

Here’s the gallery of screenshots I’ve gotten so far while transferring the DV footage from tape to hard drives. It’ll keep growing until I’m through all 50 tapes, i.e. 50 hours of footage. There’s more hours on a hard drive they sent along. I’m backing everything up.

I’ll edit this like I’ve edited the rest of my work, by taking these raw digitizations and converting them into banks of clips. From the clips, I’ll start bringing things together, figuring out what goes where. Because it’s me editing things, the film will probably shift more towards the “everyone is part of a greater whole” spectrum than “let’s do a travelogue”, but you get what you pay for.

Let’s not quibble about deadlines, futures, and what will be done with this work when it’s done being edited. For that matter, I must point out again that I am not the director of this film, and it’s not a “Jason Scott” film – the subject is dear to my heart and I am glad to bring my skills to the project but I was never going to make a hackerspace documentary and I was certainly never going to go to all the places that these guys ended up. This is their film, their brilliance to ask what they asked and where to aim the camera, and to put in the real and brutal hours that month. I am sure it was an amazing experience – it was for me when I was working on the BBS Documentary.

One of the original crew, Jordan Bunker, has gotten involved with a new project called ReMade, as the producer. If you go over to the site you can see that this is a miles-better-made documentary they’re working on, obviously utilizing his skills and connections into the making of it. So I am going to stress that if you want to see a world-class documentary on hackerspaces, that is the one you want to fund. They’re taking donations over on that site to get things done. They’re making a real professional go at it and I’m taking a strictly amateur production and making it watchable (and enjoyable, and flowing and all the rest of the things an editor does). The two films are about the same subject to some extent but they’re not going to end up being the same film at all. Support them. I’m giving my support to this one. Everyone is going to win.

I’ll occasionally discuss this project if there’s something to be learned from the process of editing it, or if I think someone needs to hear about some discovery or breakthrough. But for now, just know that I am working on this in my spare time, like a racer who spends a little time with the kit car in the back of the garage.

It’s a hell of a kit car, guys. Great work. And thanks for letting me tinker with it.

thp29


The Next Documentary —

I think the BBS Documentary surprised a lot of people by being so huge and coming out of nowhere. Just like some of my websites, that was definitely the intention – go from zero to 100mph and a massive collection, so that people who didn’t know they wanted something got it in spades. It has been very popular and gotten a lot of attention, both as a product and a documentary. I even had to do another re-order of the DVDs to be able to keep selling them – that means I’ve sold at least 4300 copies.

Not a week goes by, to this day, that I don’t get some communication about that series and what it means to people, or what memories it brought back – you name it.  It has been a wild success.

Deciding what I wanted to do next was slightly more difficult, including whether I wanted to do another one at all. Shooting the BBS Documentary as long as I did and with so much work had taken a lot out of me and my life. But the joy of bringing that project to fruition won me over to doing it again, except with a smaller focus. So after much thought, I went after text adventures and interactive fiction. GET LAMP was the result.

So, there were two specific reasons I went after interactive fiction as the subject: I felt a reasonable bond and knowledge of that culture/world, and it was obvious that no such documentary was going to ever appear again, at least within the reasonable lifetimes of the main participants.

A question that never became a factor was how difficult it might be to take the text adventure story and experience and put it online – I knew it would be difficult, and that the resulting work would appeal to a specific audience, and so on. I knew this going in, and when the film was done, this is what happened… some people really loved it, some people were a little confused, and some people liked one thing or set of things more than another.  But the fact remained – my audience had a choice of what to pick from, where before there was nothing at all.

So, I did right by the subject – it helped rejuvenate a genre to a small amount, got “the story” down, and we got to tell a whole host of really awesome folks how awesome they are. It will never be a mainstream documentary, and it was never meant to be, and I was happy to spend the years on it.

Now, what’s next.

Well, I’ve got a couple ideas, and shortly I’ll be announcing them, with trailers and a website and all the rest.

One will be the “classic” Jason Scott documentary type that people seem to think I’ll do, that is, a subject explored so hugely that it takes up multiple storage units and which has tons of footage and interviews and the rest. And perhaps the last big (or only) documentary on the subject.

The other will be a video podcast series. But more specifically, it will be a series of episodes, maybe half an hour apiece, covering a piece of the main subject and being released frequently, maybe every few months or even quicker, so that people don’t have to wait until whatever, 2013 or 2014, to see more work from me. Eventually there would be a deluxe product at the end of it, although by that time, actually in both cases, we’re possibly talking USB stick inside a custom case. I suspect digital download sales to have settled by then as well.

To do this, I will be putting up a kickstarter, asking for a significant chunk of change. Very significant.

If the kickstarter doesn’t make it, I won’t make the films. I will, in fact, stop making films – I can’t afford to make them on my own anymore.

But if it makes it, then that is what I will do for the forseable future.

It’s going to be interesting to see where it goes.