ASCII by Jason Scott

Jason Scott's Weblog

Artifacts —

Seems I can’t go too long before adding ANOTHER sub-site to textfiles.com. But this was was a logical conclusion and has been on the back-burner for about 5 years (according to the file modification dates I have around).

http://artifacts.textfiles.com

ARTIFACTS covers a problem I’ve had for years and years. People send me collections of files from their BBSes, or which they got off of BBSes, and with the main textfiles.com sites, I basically cut these up and sort them into directories. The files from a BBS might end up in 10 places, held up as examples of a certain subject matter or type of artwork, next to hundreds of items from other BBSes. That’s great on one level, allowing you to get a sense for the sorts of things that were on various BBSes, but it’s pretty bad if, for example, you’re tracking the history of ExecPC, or your favorite local AE line.

So, this allows me to clump together items from a specific BBS, add other bits of information from the collections I have, and start to build up a picture of a specific place. I just linked it to bbslist.textfiles.com so that if there’s an entry in artifacts, it’ll be flagged on the BBS list. Right now, obviously, it’s a tad sparse. Out of 103,000 BBSes, I have a whole 450 or so with artifacts. But expect that to change rapidly as I jam through my collections, especially those of artifacts I had sitting on my hard drives with no obvious place to put them. Now I have one.

My hope is that this will inspire a whole new pile of collecting, as people see an obvious place for the photos, archives, and information they have on various BBSes. We can hope, huh.

And yes, this is starting to encroach on territory currently held by BBSMATES.COM. Sorry, Aron ol’ bean, you knew it was just a matter of time!

Speaking of Jason doing stuff and not telling you about it for the last few weeks, I put a copy of digitize.textfiles.com on Flickr:

http://www.flickr.com/photos/54568729@N00/sets/72157594265759470/

Why? Why not. They have space and it’s not hurting anybody, and it makes a lot of old cool information join the world again. At 647 images and counting! Of course, digitize.textfiles.com will continue to get stuff AND provide the TIFFs that Flickr does not.

Related to the whole bit of work being done with artifacts, I’ve gotten my hands on ANSILOVE which is an absolutely spot-on ANSI converter that makes a .PNG out of an ANSI drawing. Previously, the ANSI section of artscene.textfiles.com had “preview” shots, but they all basically sucked because the converter I used was poor. The new one is absolutely spot on. The only thing it doesn’t do is make animated GIFs of animated ANSIs, but I think we can all suck it up. Sitting in the inbox, I have… yes, wait for it… 3,000 ANSI images ready to be sorted. It’s going to go very quickly.

cd.textfiles.com has had a bunch more CDs dropped on it; I was so proud when I broke 1 million files and already I’m at 1,415,000. I’m also going through those files next and integrating them into ARTIFACTS. Isn’t that just how it goes? I’ve been adding GIFs of BBS ads, login screens and so on from these files.

While nobody was looking pdf.textfiles.com has grown to 10,000 files and is 13 gigabytes (some aren’t quite browsable yet but will be shortly). But that’s actually inaccurate. In a short while that is going to increase 5-fold. Watch for it.

Did I mention I’m making a couple of movies, too?


“Digital Influence Strategist” —

Date: Mon, 18 Sep 2006 13:16:29 -0400
From: “Giesen, Brian”
Reply-To: “Bell, John”
To: ascii@textfiles.com
Subject: Cocktails, Conversation & the Future of Blogging – RSVP Today!

Jason,

I was reading your blog and thought you might be interested in
attending a free event in Boston we are co-hosting with Six Apart
next week.

The event will include an insider’s look at Vox, Six Apart’s new
blogging tool, and it’ll offer a great opportunity to meet other
bloggers and digital leaders from the Boston area.

Details about the event are attached below. I hope to see you at the
event.

Best,
Brian

Brian Giesen
Digital Influence Strategist
360 Degree Digital Influence Group

Ogilvy Public Relations Worldwide
direct: 202.729.4117
1111 19th Street NW 10th Floor
Washington, DC 20036

http://blog.ogilvypr.com

Date: Thu, 21 Sep 2006 05:04:36 -0400 (EDT)
From: Jason Scott
To: “Bell, John”
Subject: Re: Cocktails, Conversation & the Future of Blogging – RSVP Today!

This is going to sound like the stupidest thing in the world, but I can’t
bring myself to attend something that I’ve invited to by a “Digital
Influence Strategist”. Thanks for thinking of me and I appreciate the offer.

Date: Thu, 21 Sep 2006 07:25:04 -0400
From: “Bell, John”
To: jason@textfiles.com
Subject: Re: Cocktails, Conversation & the Future of Blogging – RSVP Today!

Presuming Brian Giesen from my team invited you (that’s his title)
why would that keep you from coming? If he had another title like
“online public relations” or “online marketing” in his title, would
you attend?

Seriously, the event should be a fun opportunity to meet with Six
Apart and us. We did one in July in DC and had folks from PBS,
Discovery, DNC, RNC all there. Good time had by all.

Date: Thu, 21 Sep 2006 12:08:38 -0400 (EDT)
From: Jason Scott
To: “Bell, John”
Subject: Re: Cocktails, Conversation & the Future of Blogging – RSVP Today!

Have a fantastic time!


And the Winner Is…. Death! —

Yes, it’s time once again for “So what file from the textfiles.com collection of sites is getting downloaded the most?”

And apparently, the winner is this little charmer:

He’s extremely popular among the Myspace crowd, and if you think I’m going to link to Myspace, I’d rather eat a jar of thumbtacks. I consider all these social spaces historically important, but they’re not exactly places I wish to always visit.

In case you’re wondering why a site called “textfiles.com” has a picture, it’s because one of the sub-sites covers the artistic work of modem-bound folks throughout the last 30 years, and this is in one of the collections on that sub-site. The site, by the way, is artscene.textfiles.com, because, you know, what I need are more hits.

The “Grim Reaper” by “Razorback” (the name of this piece) has been downloaded over 60,000 times in September alone. That’s in the last 8 days. In August he was downloaded 212,000 times. In July, 150,000, June 118,000 and so on. That’s a heaping bucket of Grim Reaper, let me tell you. And the best part is, he doesn’t even TRACK before April!

So basically, someone found this, linked to it from his site (and by site, I mean myspace page), then others saw it, and THEY linked to it, and probably some unbelievably popular person linked to it from THEIR myspace page, and so we went from about 16,000 within the first month and a half to a quarter of a million downloads within six months. Holy crap!

If anyone’s feeling frisky and wants to let “Razorback” know this thing he drew is now in the browser caches of many tens of thousands of people, go for it.

Why this one? Why this specific image when even looking in the same directory yields equivalently great work? It’s all very arbitrary. Stuff just gets copied and pasted and we’re done! That’s the magic of the world we’re currently living in. Do these people know about BBSes or that the happy little hourglass jockey they’re linking to is from a history site about them? Not the majority, I’ll bet. It’s just more of the pixels in the big soup of their lives.

And you know, when I was younger, I didn’t understand what part Apple or IBM or Hayes or any of the other forces and people in the greater world affected my BBS days. I didn’t really understand tarriffs or equal access or line qualification or service provider requirements. No, I wanted textfiles. And boy did I get them, sometimes at the price of someone else’s phone codes.

So maybe this is it all coming back to me. It’s my turn to get decontextually sucked dry of my resources for arbitrary and strange reasons. I can live with that.

But watch out, kids! The fun looking guy with the skull in the picture is coming for you next! Get your hard drives ready!


Cry —

One of my friends, knowing how much I’ve grown to dig the video weblogger Ze Frank and his show, sent me a link (which is now getting quite popular) of an absolutely spectacular presentation he gave at an ideas conference called TED a little ways back, before he started doing an every-weekday weblog. And I really did enjoy the thing immensely. I just didn’t expect to cry at the end.

I didn’t cry about the actual conference presentation; that was just great all the way through. But for some reason, this digitized video had to be “brought by” someone, so it was “brought by” a car company.

The theme of the short commercial was “What if great ideas held no value?”, the point being that since we do in fact hold ideas in great esteem the cars that the company makes are all great ideas so you want to buy them and probably pay a little more for them. So to prove this point, while the deep voice is asking you this, they show some great works of art being destroyed or ignored by people, since, again, in this hypothetical world great ideas have no value.

Anyway. At one point they take a wrecking ball to Fallingwater.

In a very realistic and sudden manner, too; one moment you see Fallingwater and then next comes this wrecking ball that starts destroying it.

I don’t know when I first heard about Fallingwater, but it had to be my late teens, and it struck me as such a perfect home, this idea that yes, people could actually gain the homes and places they wanted, if they worked hard enough or made the right choices or were brave. Even though I’ve yet to visit, I forged this strange emotional bond with the building. I’m aware, make no mistake, of some of the design flaws in Frank Lloyd Wright’s design, and how they had to go back and fix some major stuff so it would last, but regardless, it had this very strong place in my heart for me.

I cry seldom enough that anything that can consistently cause it to happen (and I tested it, I can keep playing this footage randomly and I will in fact start crying again) fascinates me. So I spent some time wondering what about it affects me this way.

I think watching it being destroyed, I overlaid this sense that the reason it had been destroyed was that very thing, that nobody found it worthwhile (except me! I’m over here, but nobody could hear me) and so I watched a great thing go away. I actually have nightmares like this, where I find out too late that I am the curator or owner of a wonderous and breathtaking thing or place, but my inaction (before the dream started) means I can only witness it being taken away or being lost.

On the subject of crying, in the 5.5 hours of edited footage of the documentary, there’s only a couple places that consistently make me tear up. They’re kind of weird, so worth mentioning.

One is during the COMPRESSION episode, when I mention that Phil Katz died at 37. I’m 35 (until next Wednesday), and that just really hits home, how short his life really was and therefore how young he was when he got into this controversy. He was in the wrong, by the way, if you haven’t seen the episode or keep going with the “official” memory of what happened.

The other is near the end of the MAKE IT PAY episode. It was so touching at the time that I put it in even though I had to include subtitles explaining what I was asking. I was interviewing three ex-employees of the now-gone Mustang Software, a BBS company that flourished in the 1990s. The company, founded in 1986 by Jim Harrer (and others), sold the “Wildcat!” BBS system. The company was in Bakersfield, California, and I travelled up to Bakersfield (getting a hell of a speeding ticket) to interview them. I ended up staying very late, like 2 or 3 in the morning, and drove back (not getting a ticket on the way back).

They talked about their times at the company, the good and the bad, and especially how they learned how the whole thing was coming apart and ultimately they lost their jobs as the company essentially shut down and was sold off. They also talked about how the homes they were in, the very home I was interviewing them in, was as a result of Mustang, and that it was their time at the company that ensured the homes they were raising in their families in.

I don’t know why the question occured to me, but I asked “If Jim asked you to join a new company, would you go?”

The words were barely out of my mouth when they both rushed to say “Yes. In a heartbeat. Not even a question. Yes.”

Mini-DV is only 720×480 resolution, and it’s encoded in MPEG above that. If I’d shot it in HD, maybe you’d immediately feel what I felt in that room; absolutely undying, to-the-ends-of-the-earth loyalty. Drop-everything-you’re-doing, go out the door and drive to wherever you need to right now. It was a wave of honor that hit me. There’s no clever smile on their faces, there’s no winking “yeah, sure, I’d relive those days”. It’s pure, uncut loyalty. And I’ve never seen anything like it before or since. So when I see that footage in the film (and I moved a lot of stuff around to ensure it got in there), I just start tearing up that someone could actually inspire that loyalty in others.

As for movies in the general sense, I actually cry at great editing/arrangement shots, too many of which to go into here, but that’s just weird. Ultimately weird, though, is that when I saw the 2000 remake of Shaft and just started crying about halfway though and couldn’t stop for the rest of the film. Why? Because one of the main villians, “Peoples” Hernandez, brings his little brother around his job as a leading drug dealer, but obviously just out of a sense of obligation of including his brother in the business, even though his brother won’t touch guns or really do much of anything. In fact, he makes his brother wait in the car when stuff is going on, just so he’s safe. And of course, his little brother is shot by a stray bullet during a fight, killed with no reason, and the Hernandez character goes absolutely insane from that point on, completely irrational until the end of the film, because his little brother died. And I have a little brother. He’s 30 percent bigger than me and runs his own landscaping and landmoving business and could crush a fork in his hand, but he’s still my little brother and one of the great loves of my life, and if anything ever happened to him at someone else’s hand, I would claw through concrete to get at them. So meanwhile the rest of the audience is watching Samuel Jackson kick some major ass, and I’m just crying about the lost little brother.

I suppose it’s not entirely polite to discuss crying, but it’s all part of being a person and I spent way too many years hiding that I was a person. I’m done with that. So yes, I cry.

Saw “Crank” tonight. Great movie. Didn’t cry.


A Very Old Battle —

I’m bothered by the battle over the word “Hacker”. I’m most bothered by it because I consider the battle over.

While I don’t mind the energy poured into it, since it generates content and I like content, I do mind the characterization that it’s a relatively new battle, one that is just on a sort of tipping point. That’s a completely inaccurate idea.

And I don’t mean “Yes, we’ve been fighting it since the 1990s”. I mean this issue is at least 20 years old, with some aspects of it dating back 30 years.

I have an entire site dedicated to this and related issues, at hacker.textfiles.com. Some people know about it, some don’t.

Recently, I was sent a very precious document, a message from the bulletin board that ran at the Stanford Artifical Intelligence Lab. The poster is Richard Gabriel. Dr. Gabriel knows his stuff. He is a forward-thinking writer with a brilliant mind and decades of experience with both computers and the people related to them. Nowadays, a good website to learn about him if you haven’t heard of him is dreamsongs.com.

This document was sent to me by someone other than Dr. Gabriel, who wanted me to see how the battle was waging even back then. His belief (and mine) is this hasn’t been in public since it was written back then.

Like I said, new content is interesting to me, so feel free to keep waging the “battle”; just don’t pretend this blood on the swords in this battle isn’t caked with decades. I yield the floor to Dr. Gabriel.


Date: 09-Nov-83 1141 PST
From: Dick Gabriel
Subject: Hackers
To: su-bboards@SU-AI

About a month ago I became fed up with the way journalists and others had
changed the definition of the word, `hacker.’ I wrote the following essay,
which I am I am trying to get published somewhere or other. Enjoy:

`Hacker’: The De-Evolution of a Word

`Hacker.’ I’ve often wondered how new words arise and old words change
their meanings. Now I have experienced it. Most everyone now knows that
`hackers’ have something to do with computers, but the meaning has taken a
turn for the worse.

When I was growing up with computers, a `hacker’ was someone who was good
at constructing programs or computer systems. To be called a `real
hacker’ was a great compliment.

Now look at a recent news story on the Milwaukee “414s”:

Other experts, however, said it won’t be that easy to deter all
hackers, a term used to refer to people who gain access to
computer systems for fun . . . .

Time was, when I was introduced to some computer professionals and said,
“well, I’m just a hacker,” they’d smile with relief: I was just one of
the boys and not a stuffy academic. Now if I happen to mention, “oh,
spent the night hacking,” and a cop’s within earshot, I’m likely to find
a set of fingers around my collar and a couple of knuckles in my ear:
I’m off to jail on a felony count — 5-10 years, hacking.

A recent book on slang written by hackers, “The Hacker’s Dictionary,”
contains these entries:

HACKER n. 1. A person who enjoys learning the details of
programming systems and how to stretch their capabilities, as
opposed to most users who prefer to learn only the minimum
necessary. . . . 6. A malicious or inquisitive meddler who
tries to discover information by poking around. Hence
“password hacker,” “network hacker.”

Even though definition 6 has negative connotations, it suggests a
mischievous prankster rather than an Al Capone or a Machine-Gun Kelly.
And the term `hacker’ is qualified, by `password’ for instance, if meant
pejoratively.

Where did the term originate?

Hacking is an activity in which one plays with programs, seeing what one
can do, exploring the limits of one’s abilities, not necessarily with any
particular goal in mind.

Hack around: To do nothing in particular; to wander about; to
idle.

This is from the “Dictionary of American Slang”; the phrase was popular
around 1965, when computer science was beginning to mature.

“What are you up to?”

“Not much, just hacking around with this program.”

The artist trying new techniques; the composer noodling on the piano; the
physicist toying with new theories. The hacker hacking around with his
program.

Some hackers ARE weird. The first hacker I ever saw — you couldn’t meet
this guy — worked at a prestigious Eastern university. He washed his
hair once a month, slept next to the computer, and sent his laundry
God-knows-how-frequently to his mother in New York City to wash and mail
back. But he was an expert and extremely productive programmer, certainly
not a criminal.

Why would the word `hacker’ change its meaning?

Recently certain people have been breaking into computers and doing
damage. I can easily imagine some impressionable cub reporter hearing
from a computer-center manager, “Some hackers broke into our system and
deleted the welfare-check files.” He thinks: Criminals break into things,
and the manager said ` . . . hackers broke in . . . ,’ so hackers are
criminals, right?

I’m waiting for some other equally bright reporter to hear, “Three
entrepreneurs embezzled $930,000 from the company they formed, Megabucks
Inc.” Then the world will have a new synonym for a business criminal:
entrepreneur.

Has a nice ring to it, eh?

I first noticed the meaning of `hacker’ drifting in 1976 when Prof. Joseph
Weizenbaum of MIT wrote the book “Computer Power and Human Reason.” He
says:

I have already said that the compulsive programmer, or hacker
as he calls himself, is usually a superb technician. . . .
His skill is . . . aimless, even disembodied. . . . His
skill is like that of a monastic copyist who, though
illiterate, is a first-rate calligrapher.

Weizenbaum goes on to paint an exaggerated picture of compulsive, even
psychotic, behavior, belying a deep suspicion, if not hatred, of hackers.

That hackers are the masters of one of the great tools of science is as if
apes operated electron microscopes.

Donn Parker of SRI International isn’t just suspicious of hackers; he
seems to hate them openly and extremely. In his book, “Fighting Computer
Crime,” he makes a list of computer criminal types. In this list the
`system hacker’ is placed between the deranged person and the career
criminal.

In 1976 Weizenbaum wrote:

They work until they nearly drop, twenty, thirty hours at a
time. Their food, if they arrange it, is brought to them:
coffee, Cokes, sandwiches. If possible, they sleep on cots
near the computer. . . . [T]heir uncombed hair [testifies]
that they are oblivious to their bodies. . . . [Their]
excitement rises to its highest, most feverish pitch when
[they are] on the trail of a most recalcitrant error. . . .

Compare this with what Parker wrote in 1983:

Hackers are often addicted to their computer capers. They
will give up food, sleep, and other bodily functions sitting
at terminals for hours when they are on a hot trail to the
innards of an operating system.

Parker seems to be quoting Weizenbaum, but adds malicious intent at every
turn.

Parker talks to the press, and the press quotes away. People on the
outside using insiders’ jargon to ridicule insiders. Weizenbaum, Parker,
and others have taken the respectful term of the hacker and turned it
against him.

What have we lost through the misunderstandings of reporters or the
simplistic analyses of computer-crime detectives? We’ve lost a good word
for an expert programmer who is not necessarily well-trained or formally
educated in computer science, but who is enthusiastic about his work and
perseveres where others might give up.

I consider myself a `hacker,’ but I’ve legitimized it quite a bit: I have
a Ph.D. in Computer Science from Stanford University, and I recommend this
situation highly. I make part of my living by sitting across from a
businessman, placing my sheepskin on the high-gloss mahogany, sliding it
towards him, and carefully folding into my wallet the cash he pushes back.
Sometimes I have to ramble on about `continuation-passing semantics,’ but
usually it’s more like “That won’t work; try it this way.”

But now a hacker is merely a computer vandal. Instead of a useful word
for a new type of person, we have a colorful synonym for a mundane type of
criminal.

So now I tell the casual acquaintance that I’m a Computer Scientist, and
thus legitimize my hobby and passion. I miss being known as a hacker, but
don’t want to be misconstrued as a Bad Guy.

Maybe I’ll go into business and become an entrepreneur.


Primary Sources —

I have a Google alert set up to tell me when media discusses Bulletin Board Systems. What can I say, I like to be on the cutting edge.

People often cite BBSes in two main areas: discussing China, and as a reference of how we don’t do things that way anymore.

One of the articles that came by recently was about a company that provides internet connections to fast-food restaurants. Well and good. Somewhere in the middle there is what tripped off my scanner:

“They grew up across the street from one another in Waconia, west of the Twin Cities, playing baseball and football together. In 1994, when they were 14, they started an online bulletin-board service and called it Black Hole BBS. The bulletin board caught on, boasting 4,000 registered users…In 1996, they plugged a game server into a T-1 broadband line in Dave’s bedroom, changed their name to Black Hole Internet and became an ISP. For the first time, they saw more cash coming in than going out…While their peers flipped burgers, they operated the ISP through high school and college, and the company’s revenue passed six figures. After Perrill graduated from the University of Minnesota’s Carlson School of Management in 2003 with an MBA, they changed the name to BHI to attract more business customers.”

OK! Black Hole BBS in Minnesota (612 area code, which I know by heart). By then going to bbslist.textfiles.com, which is a site of BBS numbers and information I’ve put together from hundreds of sources, I see a bunch of entries down there:

612-442-2382 Black Hole BBS (1996) John Perrill
612-442-5635 Black Hole BBS, The Black Hole(1994-1996) John Perrill Wildcat
612-442-5682 The Black Hole, The Black Hole BBS(1994-1996) Wildcat
612-442-6363 Black Hole Bbs, The(1995) John Perrill
612-442-6429 Black Hole BBS(1995) John Perrill
612-442-6431 Black Hole BBS(1994-1995)

So from this, I now know the following additional bits of information:

There was definitely a BBS named “The Black Hole” in Minnesota.
There was a multi-line BBS named “The Black Hole”.
It ran Wildcat! software at some point.
The official listed name of the sysop is John Perrill.

Now, the name listed in the article is Dave Perrill, 27. Assuming he did start the black hole BBS when he was 14, that means he would have started it in the 1993-1994 period. Within a year it was multi-line, running Wildcat, which costs some bucks, and in fact the whole thing costs bucks. The rest of the article mentions the father in a different context:

“BHI’s interest in fast-food restaurants isn’t accidental. Perrill’s father, John Perrill, Sr., also an entrepreneur, started Wand Corp., a company that installs computerized cash registers for fast-food restaurants. Perrill Sr. is a minority investor in BHI, and BHI shares office space with Wand.”

So even though Dad’s listed as a minor player, he was major enough back then to be listed as the main Sysop of the BBS while his son wasn’t.

So, what’s the point of this? Primary sources. By yanking in these old BBS lists like I’ve been doing, I was able to do a minor amount of checking on the history of this BBS mentioned, see the family involved, and know what kind of software they were running. This is by taking what’s out there or maybe what’s not so readily available, collating, adding it together, and there’s a little more knowledge.

There’s nothing sinister or bad in saying it’s all your bag and dad was just a minor player, of course. But it’s good to give the databases a workout, in my case, and every once in a while, it does have meaning. I’ve had people claim to be the “first”, claim to have made something they ultimately didn’t, found myself in the middle of a battle that was 15 years dead, but when the documentary and my sites came along, all the old bad blood rushed back like it was yesterday.

I’m not being superlative, either. I have had multiple threats of being sued over publically available information being up on my site, and I’ve had phone calls and intense conversations with people, dredging up who-said-what and nobody involved was calm about it.

Primary sources are gold. They help track down, if not the truth, a context that the truth might be found in. And I’m big on the truth.

Send me your crap.


Keep on Keeping On —

My friend Charlie officially announced he was sick of me showing people cool new stuff I’d downloaded at my editing station in my office. It’s a nice editing station, a nice office and (often enough) really cool stuff, but any more than two people and you just can’t see the screens. “Get this stuff on your TV”, he said.

Quick research found that I could head on down to Best Buy, buy a device called a DN191H, and fix the problem immediately. The DN191H is a progressive-scan DVD player that plays a massive range of data, from DVD-Rs full of JPEGs all the way up through regular DVDs and VCDs and CDs and what have you. It also has a “14 in 2” card slot, which means i can take a CompactFlash card from my PC, load it up with anime fansubs I’ve downloaded from somewhere or another, and take this little card with me over to the living room and watch all of the episodes I want as if they were DVDs. And then bring the card back and re-use it again, so I don’t have piles of one-time DVDs sitting around like crack vials.

Again: I can now blow an entire season of TV episodes into a card roughly the size of a matchbook in just a couple minutes and then watch it on my big screen TV in the other room. I can take this matchbook over to a friend’s house (turns out a mutual friend of mine and Charlie’s, Keith, ALSO bought a similar model), play what we brought over, and then trade cards, so we can each bring our stuff back and copy it on our computers or what have you.

Oh, and the DN191H cost me $99.

I dropped out of the day-to-day “!!!!OH MY GOD!!!” world of “copyfighting” for two main reasons. The first is that I am one of the more fanatical collectors of old data and just that project is taking most of my time and effort. Statistically, few others are undertaking this effort. So this is a good division of labor and it’s the only way my stuff will stay updated like it is.

But the second is that if you look at things historically, especially in this country, we just aren’t very good at closing pandora boxes. Once people see something they really dig, especially if that something is a process or tool, we kind of keep demanding it and other people will bore through concrete walls with their teeth to sell it to us.

I appreciate the fighting that goes on, where there’s constant threat that it all will be taken away from us if we don’t stand and deliver but that is often a young man’s game and sadly I am no longer a young man. I’m a methodical misanthrope sorting through piles of history, and when I harangue, I just sound bitter.

But what I also see is that if you look at stuff, it’s often not a case of “they” took away our “right” to do something… it was that the something (more often than not) was prone to kill people (flying cars and personal storage of dynamite comes to mind), was stupid or overtaken with better models (subscription-based milk delivery) or just technologically made obsolete (a block of ice in the basement, a constantly stoked fire in the living room).

No doubt there are definitely some cases of insane laws or overzealous legislative assery getting in the way of progress, happiness or liberty (I’ve lived under blue laws for nearly 20 years now) but again, if there’s enough people that want “it”, they’re going to get “it”.

Every time a company bends over for some bit of idiocy and removes a product from the shelves that people want, there are a dozen happy companies that are made up of 5 guys in a room who are more than happy to sink their life savings to sell you what you wanted back again. And forget companies, people will do it.

Complacency is one thing; the constant assumption that the world will serve you comfortably and that you will always get exactly what you want and when you want it, is a function of the parts of the world where dirt isn’t a vital part of your diet. And it doesn’t just happen that way, either; there’s bumps, there’s outages. The new thing is often made of plastic and kind of predictable, where the old thing was made of metal and much cooler. That definitely happens. But more often than not, the plastic thing gets to the core of what you want.

If it sounds like I’m the old guy in front of his TV saying that on the whole, life is pretty good, I am likely being that very thing. Make no mistake, you can hear me rail and take action in a hundred different venues. But sometimes, every once in a while, it’s good to take a deep breath and marvel that, ultimately, you’re breathing.

And that I can fit an entire season of Ōran Kōkō Hosuto Kurabu on a matchbook.


Looking Ahead: DVD Formats —

Well, I’m sure all the parties involved were quaking in their boots to find out which side Bovine Ignition Systems was going to come down on, but after spending some time on the issue, I’m going to cautiously throw my support behind HD DVD as the likely format my next two movies will be produced for.

There are a number of reasons behind this, most prominent that I hate Sony and Blu-ray is basically Sony’s format, while HD DVD is basically Toshiba’s. Just knowing Sony got its hands all over Blu-ray makes me shove it into something burning and run away. It’s worth noting, however, that Sony was also on the steering committee for HD DVD as well. This follows with the second part of my “fuck Sony” outlook, which is that Sony plays every side and backs every horse, even when it screws Sony. If that sounds unlikely, it really isn’t; Sony will work at cross-purposes to meet any potential economic advantage it can in every situation. That said, HD DVD appears to have only gotten a small amount of Sony grease on it.

As a filmmaker who puts out his own crap on his own terms, my main point of view with a format is: How quickly and easily can I strip all limitations out of the format and leave the most up to the people who have bought my stuff?

I realize this is not the majority view of most filmmakers or studios in regard to a format; they want to know how much it would cost to make it so the players actually reach out and hold children hostage until the studio is sent $15 for each play of the DVD. In fact, the big concern would rest with whether it should be $15 or $30 or a per-seat license.

Anyway, enough hammering. The point is, I don’t care about copy protection and I certainly don’t care about setting up the disc to be obfuscating to the end-user. That means no footage you can’t get out of (do you really need to be forced to see the full 10-second logo of the studio every time? You’ll see it enough as it is), and making full use of cool features that you can also turn off. (Menus shouldn’t really have background music, but playing a song could be a cool option elsewhere, if the person chooses).

Both Blu-ray and HD DVD come with AACS, which is the new “we promise nobody will snap it in half” version of CSS,which was the copy-protection they promised nobody would snap in half and which was snapped in half. All I care about is I can shut it off. There’s this astoundingly vicious thing called “down-sampling”, where the studios can choose to force the player under certain circumstances to play the footage at a reduced rate. I will not choose to force the player under certain circumstances to do anything you don’t want it to.

Blu-ray then goes on to clock on another bunch of stuff, including a watermarking technology they promise you won’t be able to hear in the disc. They also claim this watermark won’t be removable. Of course it’ll be removable. And not content with AACS, they also add the BD+ copy protection format, because nothing’s better than having six bouncers at the door instead of one; no chance for confusion or issues there! Either way, combined with the rest of the crap it sticks on the disc, it’s a loss.

It is also apparent that AACS will give the option of a computer/player “phoning home” if so chosen, so verify you got a good copy. Fuck that right in the ear. I will never do that, either.

Am I starting to sound repetitive? Likely. Let me move forward into the rough plans for my work.

At the rate I’m filming/doing things, it looks like GET LAMP is looking at an early 2008 release on whatever format I choose. Obviously a lot can go weird during the next year, but I expect this to be the case. I am assuming for the moment it will be two DVDesque things in a nice package. I’ve potentially lined up a jaw-dropping package artist. I know it sounds weird to talk this way after only a dozen interviews, but you have to if your final work is going to look good. If I layer it out, it can potentially add years.

Assuming they have the HD DVD ducks in a row, I’ll again go with Bullseye Disc. I love those people. I finally met them in person this past July and had a great time hanging out with Curtis, Shelby and the rest of the gang. Curtis has his Apple II disc collection on-site. Who the hell else does that? I’m sticking with them.

HD DVD also has this neat other feature that I’m likely to go with, even if it means no disc art: dual-format discs. You can actually have one side be HD DVD and the other regular DVD, so that you can take GET LAMP to a friend’s house and pop it in, and still get stuff. I like that a lot, even if it means twice the authoring work.

The previous documentary was Creative Commons Attribution-ShareAlike 2.0. The next ones will likely be Attribution-NonCommercial-ShareAlike 2.5. This “Non-Commercial” bit relates to the fact that I’m bringing in more “name” people and they need something that doesn’t have my documentary packaging going “and please make money off this as well”, since some of them are making money off what they’ll have me do. This mostly centers around the music, by the way.

So there we go. I’d tell you to throw your Playstation 3 plans into the garbage after this, but the fact is, they’ll be able to play DVDs, and I intend to be compatible with DVDs! Everyone wins! Well, except for people who think Blu-ray’s the way to go.


Another Satisfied Customer —

Actual real content from me shortly. I have about 4 articles in mid-workover, and yes, I really do write articles/essays that aren’t stream of consciousness. But this little exchange is hard to pass up sharing. Note that we’re discussing a file on textfiles.com, and I’m wondering if I’m wearing a little glowy green uniform with a funny hat and a nametag.

P.S. Don’t drink nicotine.

Date: Sat, 26 Aug 2006 14:42:33 +1030
From: Jen _
To: jason@textfiles.com
Subject: please help

I was just wondering if you could help me a bit.

This is from the nicotine file of the anarchy thing, on your website. Make sense?

“Just collect a handful of cigarette butts and strip the paper from them, if you are a neat person. Soak them for several hours, if possible, in water.”

And what do you do after that? Do you have to boil the water to then get the nicotine out? Or can you just drink the water?

Please help.

Date: Sat, 26 Aug 2006 01:22:27 -0400 (EDT)
From: Jason Scott
To: Jen _
Cc: jason@textfiles.com
Subject: Re: please help

Follow nothing from any file.

Date: Sun, 27 Aug 2006 18:31:23 +1030
From: Jen _
To: jason@textfiles.com
Subject: Re: please help

Why? What does it matter what I do, you don’t even know me.

Date: Sun, 27 Aug 2006 13:23:17 -0400 (EDT)
From: Jason Scott
To: Jen _
Subject: Re: please help

Why does it matter what my opinion on the file is and what you need to do with it? You don’t even know me.

Date: Mon, 28 Aug 2006 17:29:50 +1030
From: Jen _
To: jason@textfiles.com
Subject: Re: please help

I don’t think I ever said it mattered what your opinion of the file was. I just asked you what happened in the next bit of it.


The Complete Idiot’s Guide to Wikipedia Criticism for Dummies in a Nutshell in 24 Hours or 21 Days Unleashed —

With my general articles, talks and whatnot about Wikipedia now in the two-years-old stage, I’ve had a lot of chance to get feedback and to go out and look up my name and find commentary about it. The ones that fell into the “read, comprehended, responded” approach often got mail from me. The ones that fell into the “appear to have read it while watching anime in the other window on the desktop” have generally been ignored by me, with a few exceptions that I’ll no doubt regret when I’m 40.

But beyond that, there’s a whole bunch of discussions where someone goes “Wikipedia, yay”, then someone goes “Wait, read Jason’s stuff” and then the first person goes ‘Ewww, words’. I sympathize with this, as I was once the same way. Granted, I was two, but regardless, I’m there with you. With a lot of stuff up on the internet in the form of long-winded articles, you have to invest a lot of time and at the end your head is swimming even if you sort of knew the subject. And the result of all that hard work might be that it sucks!

To that end, I’m putting in this article what I think are the five most common reactions/”debates” about Wikipedia I see, and that way in the future people can point to this article and then my other stuff if the pointed-out-for-them person in question says “tell me more”. Otherwise, they get the point and go.

When I use Wikipedia, I go to an article, read it, and it seems pretty on the money. I get the info, and go! It works! I don’t see what your problem is with it.

If you walk outside your room, stop three random people you’ve never talked to before, and ask them all the same question, chances are you will get some information from them as well. Luck, opportunity and the nature of your question will have an influence on this, but you’d be foolish to think the answer was definitive or adequate compared to primary sources or actual reference material. And the three people you asked (Three People-ia) would be deluding themselves if they were sure they’d be a definitive source on the subject, too. But on Wikipedia, this very thing happens, and happens often. I do not doubt that you will get a decent enough answer, especially if it’s general (who is buried in Grant’s Tomb, who wrote Beethoven’s Fifth Symphony) but you are relying on an enormous amount of luck and you are settling for the lowest common denominator. But hey, the Weekly World News sells hundreds of thousands of copies a week, so there you go.

Nature did a study in which they showed Wikipedia is less inaccurate than the Encyclopedia Britiannica! Look, I have a weblink and everything.

I wish people would stop quoting that study like it proves a whole lot. It looked at forty-two (42) articles out of a total of roughly 700,000 available, truncated articles on both sides to “anonymize” them, introduced errors of its own, won’t let people see the original data in full, and groups minor, major, and debatable errors together. Naturally, when Britannica pointed all this out in a three-month researched response, people went “of course they’re lying”, but then again, these are people who don’t read, like you, hence you’re reading this. Since you like to trust things, like Wikipedia, trust me: it’s a suck-ass study. Maybe someone will do a better one someday. But stop quoting that one.

It’s Just Wikipedia. People know what they’re getting, and I promise to take the result with a grain of salt and be very careful, and look both ways when I cross the street.

I applaud your good intentions, but it is now (August, 2006) to the point that Wikified information (and by that I mean pulped, blended, realigned and dessicated grab-bags of facts presented as pseudo-essays shot through ad-hoc committees) are now the first google hit for most proper and non-proper nouns, verbs, and are getting quoted without attribution everywhere. This is quite understandable, since the information is freely available and easily available besides. But now it’s showing up in school reports, websites like answers.com, and particularly unethical newspapers. So it’s not just a case of figuring out that Bamboo isn’t the capital of Maine; it’s that you will see Bamboo quoted as the capital of Maine more and more over time. Legislative decisions are being made based on Wikipedia articles. Medical decisions are being made based on Wikipedia articles. So it’s not “just” Wikipedia. That’s why I care enough to have written all I have.

Why do you hate Wikipedia so much and want it to be destroyed?

I don’t think any critic of Wikipedia wants it destroyed or to go away; that’s quite impossible at the moment. But there are policies, rules and design flaws in Wikipedia that could be changed and improve some of its worst bits, and over time it could go from wildly unpredictable to something that could be considered either reliable or dependably semi-reliable. Wikipedia has been doing this to itself over time, usually by top-down decisions that change its nature that cause a big uproar and then get accepted. And some of these changes came as a result of criticism. You’re welcome.

Even though I agree with you about what you say about Wikipedia, I just can’t stop using it! It’s so useful and really, at the end of the day, it gives me what I need! Why worry yourself over it that much?

I like people like you, because when I go to Las Vegas every year, I know that it was your hard-work and persistance to avoid ultimately accepting logical conclusions that make the lobbies so nice and give me free drinks while I play hold-em with my friends.

Dollar hold-em.