ASCII by Jason Scott

Jason Scott's Weblog

Wake Me Up —

As Edonkey Ends
(To the tune of “Wake Me Up When September Ends”, Green Day)

Read the news just this morn
Lost a link to warez and porn
Wake me up, as Edonkey ends

Harkens back to years gone by
Peer to Peer companies die
Wake me up, as Edonkey ends

Here comes the cries again
From the sites and blogs
Copyright and Ownership
What the heck they are

As my memory recalls
All the ones that rise and fall
Wake me up, as Edonkey ends

Fraun-hofer’s child got loose
Broken out from Holly-wood’s noose
Gave us all, megs and megs of friends

Traded files, bit by bit
Fanning’s toy made us lose our shit
Traded songs, thought it’d never end

Once you’ve gone peer to peer
Nothing can compare
Endless sights, amazing sounds
Scattered here and there

Sharing seems what it’s all for
Who knew it was cause for war
Wake me up, when the lawsuits end

[Solo]

Every year it seems the same
All that changes is the name
Wake me up, as Edonkey ends

Injunctions filed to stop the fun
Now kazaa is on the run
Wake me up, as Edonkey ends
Wake me up, when Bittorrent ends
Wake me up, if peer to peer ends


Fan Mail of the Month —

To: jason@textfiles.com
Subject: this is a bit bizzare

how to start
well i guess ill just post =-)~

this is from my blog

Ok so i had this dream the other night

where i walk up to this big building & on it the words TEXTFILES so i go in

i walk around for what seams like forever & finnaly see a big counter
like in a bank or something & the people behind it ask what im there
for & i say i dont know & they then say well Mr Scott has been waiting
for me & then point to a little school desk behind me a tiny little
thing & at it is the guy that did the bbs documentary

& as if this wasnt wired enuff he tells me i need to revamp my bbs
make it better than its ever been put all i can into it & that i need
to keep up the good work & general pats me on the back about my bbs

which was kewl but freaky then he walks me to the door & tells me to
remeber what we talked about so i did & im posting it here

now if you want to get all headshrinker on it ive sorta been
neglecting my bbs & the bbs community the last year cause i been
working so hard on osprey puting my efforts into osprey & ive felt
somewhat guilty about that so yes its possiable that my head was
telling me look you need to get in there & do this

or take it as just a dream that was kewl & thats it

either way im revamping the bbs & will probbly be buying the bbs
documentry lol id like to email him this entry but i dont want to
scare the poor guy i mean look around this site doesnt always put me
in the best light =-)~ but i try to do my best to be honest with
people

either way just thought id share

ok so can i pay for the bbs doc with a money order? lol
any insite to that would be wonderfull


DRUGWARS —

The research for the documentary took me in many different directions, as I reached out trying to find out any and every possible subject people might be interested in. Cinematic limitations prevented me from throwing everything I learned on the screen, but there was still a lot of neat stuff I pulled up. A lot of this has gone (and will go) into the BBS Documentary Library.

Among these subjects were a host of external programs that were vital but also tangental to the BBS experience. Probably the most debatable of these were terminal programs; while I considered having something about the programs used to connect to BBSes (which got complicated to a greater degree in the early 1990s), I ultimately decided against it. Similarly, I didn’t include more than a bit of information on Door programs, and didn’t list a ton of other ones that constituted strong memories and experiences for folks.

Among these programs was a door called “Dope Wars”, an economic game where you sold drugs around New York City (sometimes modified for other locations) to gain monetarily while also on the run from the cops and other issues facing a hard-working drug dealer. The “Dope Wars” (or “Dopewars”) game was popular enough that it exists to the modern day, called “Pimpwars” and other variations. The graphics are better, and the gameplay has been tweaked, but the core in the same.

The “Dope Wars” door is in fact based off of an earlier DOS game called “Drug Wars”, which has an authorship by “John E. Dell” of the Happy Hacker Foundation. No other information about him existed. While addressing other issues, I made an effort to contact him.. and failed.

Towards the end of production, however, I recieved a very nice surprise: John Dell himself, coming to me to let me know that he was THAT John Dell, and he had in fact created Drug Wars, 20 years earlier. Naturally, his life went in other directions, but one of his students had noticed a plea I’d put up for his contact information. It pays to ask, it really does.

I spoke to Mr. Dell at length on the phone one day, and we discussed BBSes in general and the history of Dopewars/Drugwars, as well as his own history. Ironically, he was doing some computer work for an anti-drug/drug education group. I asked if I could forward some questions to him, just for the sake of history, and he said OK. Here is the result of those quick questions. I provide them to give the proper history to the beginning of the Dopewars Program.

Tell me about the circumstances of coming up with Drug Wars; where you were at school, where the inspiration came from, why you implemented it like you did.

I had to write a program for my sophmore computer class at Shasta High School (1982-1983). A classmate of mine named Tripp Johnson (actually his father) had a nice computer that I think was a TRS-80 clone. It was a big green screen box and it had the old huge 8″ floppy drives (That’s all I can remember about it that computer). Anyway, Tripp had a game for that computer that was a commodities trading program. I think something about the Chicago mercantile exchange. You could buy and sell wheat, flax, barley, etc over a period of time and hopefully make money on it.

I thought this was a decent game, but could be made more interesting and it was enough to give me the idea for Drug Wars. So the two novel twists were of course doing the buying and selling drugs rather than wheat, and travelling from place to place to get the fluctuation in price rather than waiting a day on the market for the price of flax to go up 🙂 The rest of the game fell into place from those basics.

The stuff with officer hardass and the various events in the program (columbian freighter busted) that caused prices to go up or down were the fun part that I just kept adding to make the game more interesting.

At the time, the computer classroom had maybe 3 or 4 TRS-80’s and only one Apple so I chose the TRS-80. Another reason for choosing the TRS-80 was that it was easier to to do a block graphic of officer hardass. So during gunfights, the screen drew a very basic torso of police officers (however many were chasing you) and each one holding a gun. When they would shoot at you, the gun barrel would flash.

I got an ‘A’ from Mr. Robathan on the project, but as I recall, he didn’t care for the subject matter 🙂 Unfortunately, I’m not aware of any copies of this TRS-80 version that survived. In 1983 or so, my Dad bought a shiny new IBM PC XT, so of course I had to re-write it for the PC. I think the graphic torso of officer hardass was the only thing that didn’t make it into the DOS version because I couldn’t figure out how to do it easily and eventually lost interest.

When did you stop thinking about Drug Wars; was it after you uploaded it to a few places? Was it some years down the line after you moved from BBSes? When do you think you parted ways?

I never actually uploaded it to any BBS that I can recall. I had given my brother and a few friends in the Redding, CA area a copy of the program in 1984 and 1985. That’s about it. So one of them must have uploaded it to a BBS, because in 1985 I left for college at Annapolis. There wasn’t time for writing programs other than what was required for coursework, so I’d say that is when I forgot about it.

Is there anything you would have done different in creating Drug Wars? Do you think you might have considered turning it into a business? Was it a one-off creation or were there other similar ideas you tried?

I wanted to do the graphical officer hardass gunfight because at the time, anything graphic/animated was cool. I never considered turning it into a business. While still in high school, I had dabbled in writing a Dungeons & Dragons program for DOS, but never had anything real useful.

When did you start to find out how far along the Drug Wars derivatives had come along? Do you remember what went through your mind? What did you think of where it had gone? (Dopewars, Pimpwars, etc.)

This is pretty amazing, but I guess somewhere in 1998 or 1999, my brother sent me an email that said “hey, remember that drug wars program you wrote, check this out”. It was a link to dopewars.com website. I couldn’t believe it. Somewhere in the history section of the web site, he had credited me and the drug wars/dope wars programs for his inspiration. I eventually emailed him and identified myself as the author of drug wars. He (the beermat guy) said he’d received dozens of emails from people claiming to be ‘The John Dell’. Pretty funny. Anyway, he offered to put up a brief history of drug wars if I sent it to him. So, I did send him some basic info similar to what I wrote in answer to question 1, but he never put it on the site, and then wouldn’t return email because I think he was afraid I would ask for money or something stupid like that. He has long since removed any mention of the original drug wars on his website.

Your program has been updated and transferred through a lot of platforms and come up to the present day. Did you have anything you wanted to say to the people who ran into your program back then, and
now?

Some random thoughts in no particular order:

  • I’m astounded at how this program has become so popular.
  • I even saw a version for a Nokia phone! Ridiculous!
  • Even more amazing to me it that at least one person (beermat guy) is making a living off of this.
  • I’d like to know who originally uploaded the DOS version to a BBS.
  • I’d love to find a copy of the old TRS-80 version from 1983.
  • Avoid the dopewars.com version which has the gator/spyware crap in it.
  • In the spirit in which it was originally created, use a free version, there are many of them.

For those who think such an idea could must have come from a druggie, not so! I was a clean cut kid who grew up in northern california and then went to the U.S. Naval Academy, followed by naval flight school and flying helicopters (then I returned to my roots and really got back into computers).


A Fall in Price —

So, the BBS Documentary went from $50 a set to $40.

I’ve been considering this for a little while. Since I’ve never really done all this before, I don’t really know the audience and the choices people make to purchase or not purchase.

The economic term is “Price Elasticity of demand” (my dad taught me that), which basically means that a variable price actually moves along a bell curve, going from a price where few will buy/can afford it, to where everyone can afford it/doesn’t want it because it seems cheap and tawdry. But in the center, in this magical zone, your price is good and people buy a lot. It’s interesting. People better than I have gone to a cocaine-fueled end over these sorts of things. (I won’t.)

It’s not that they’re not selling, they are. It’s not that I don’t think they’re worth $50, they are. It’s just that I can see that some people are waffling on the price, and if this gets the package and the DVDs into more hands, that was kind of the whole point of the project: get it out there.

I don’t think we’ll be seeing any other price reductions any time soon, so don’t be trying the waiting game on me, buddy.

Anyway, it’s an interesting experiment, even if a potentially costly one. We’ll see where it goes.


Rumspringa! —

Well, after some planning, phone calls, meetings and other such work, I’m happy to announce that the Textfiles.com Rumspringa (user meeting and dinner) is a go. All the info is now updated on the page:

http://rumspringa.textfiles.com/

Check it out, and if you live in the northeast, consider RSVPing and attending. I’d like to see you there.

Mail me with any questions or RSVPs (RSVPs are not required to attend).


And Now a Word From a Marketer —

Date: 12 Sep 2005 16:09:13 -0400

From: Stefanie Koperniak

To: ascii@textfiles.com

Subject: WGBH Presents “Thinking Big”

Jason,
I just wanted to give you a heads-up about a new one-week science/technology series on WGBH. The week of Oct. 3-7, WGBH presents “Thinking Big,” a one-week television series that features notable men and women from the fields of science and technology. The program is hosted by Lisa Mullins, anchor and senior producer of the international news radio program The World. Guests include Peter Frumhoff, director of the Global Environment Program at the Union of Concerned Scientists; Rebecca MacKinnon of the Harvard Law School Berkman Center; James McLurkin of the MIT Computer Science and Artificial Intelligence Laboratory; historian of technology Rosalind Williams; and Marc Abrahams, founder of the IgNobel Prize. The program airs at 7-7:30pm on WGBH 2, Monday, Oct. 3 through Fri. Oct. 7. Feel free to contact me with any questions about the show.

Thanks,
Stefanie

Stefanie Koperniak
Publicist, Media Relations
WGBH
phone: 617-300-5317
fax: 617-300-1016
stefanie_koperniak@wgbh.org


Date: Mon, 12 Sep 2005 23:31:12 -0400 (EDT)
From: Jason Scott
To: Stefanie Koperniak
Cc: ascii@textfiles.com
Subject: Re: WGBH Presents “Thinking Big”

OK! Are you looking for me to blog this, or what? 🙂


Date: 15 Sep 2005 12:43:49 -0400
From: Stefanie Koperniak
To: Jason Scott
Subject: Re: WGBH Presents Thinking Big

Hi Jason,
Yes, if you’d like to include it in your blog, that would be great.
Stefanie

So, why include this whole conversation on this weblog? This is the first time I’ve had any sort of organization specifically target me as a promotional outlet for their information. If they didn’t respond after that, I wouldn’t have put it up, but what the hey, I’m feeling frisky.

It’s interesting how times have changed, where an organization like WGBH would never waste the time/manpower to tell me, with my little viewing audience, about a project, but now apparently it is. That’s something that intrigues me.

Note to any marketer: this will never work again.


Giving Back —

I haven’t linked this from the main documentary site yet, because I still have a few more entries to shore up, but I’m fulfilling a promise to myself about having “how I did it” stuff show up on the site.

So there’s now The BBS Documentary Production Information.

I expect it’ll ultimately have a dozen subsections, about the process of digitial filmmaking, thoughts on narrative, and so on. Right now, it’s got explanations of the dedications of each episode, an overview of the equipment I used to film, and copies of all the music used in all the episodes.

The music is locally linked, so it’s a bit slow to download, but a bunch of people have asked for how to get this music, so here we are.

I hope to be done with this section shortly, with maybe a few touch-ups if people clamor for more information on a specific subject.


A Thousand Seven Hundred RTTY Memories —

I had written about the passing of John Sheetz some entries back. This story has a nice (if not, of course, happy) coda. First of all, his widow and children have now recieved copies of the documentary and the original full one-hour interview, which itself is on archive.org and which started off the massive BBS Documentary Interview collection.

I had talked about how concerned I was that Mr. Sheetz had all this artwork, scads and scads of it, and what had happened to it. My mentioning of his name and callsign got the attention of a number of Greenkeys members, including a couple who pointed me to Doug Nelson, who had copies of a lot of RTTY artworks, on floppy and then transferred to CD.

A lot.

A whole lot.

So it is with great happiness I can now announce that artscene.textfiles.com now has over 1,700 pieces of RTTY art, dating from the 50s to last decade. Some good amount of these have not been easily available online before. Some are the original artworks that were then transferred to ASCII and traded on bulletin board systems as if they were new, when many of them preceded BBSes by years. It is a spectacular collection, and I had little to do with its collecting and saving; that was the work of many others, hams who collected these neat little drawings and holiday greetings and which now I hope will bloom on a thousand screens and terminals.


Echoes of Life —

Dr. Hasegawa-San:

This message is for your father, who I have not met but whose work
and efforts have saved my life.

In 1996, my friend sold me his 1988 Toyota Corolla for $200,
essentially as a gift, to celebrate my finally becoming a driver.
(I learned to drive at 25, having avoided it as long as possible.)
He gave me the car and said it had served him very well, with over
100,000 miles on it. It ran perfectly.

About 8 months later, I dropped another friend off at his house,
and was driving back to my workplace at night, when I looked down
to change the station on my radio. I looked up and realized I was
heading straight into a traffic circle.

Before I could respond, I slammed into the traffic circle, jumped the
curb, and slammed, head on, into a large stone in the middle of the
circle. I was travelling at 30 miles per hour.

Your father’s design so completely absorbed the shock of the accident
that I got out of the car, entirely unhurt, surveyed the damage in the
dark, and then attempted to get back into it to drive away. In fact,
as we discovered later, the impact had been strong enough to push the
entire drive train back 6 inches and dislodge part of the engine off
its mounts. To this day, nearly 10 years later, I have suffered no
medical problems or issues as a result of that accident.

I consider the efforts of your father and his design team, 30 years
earlier, to have been instrumental in this, and I would like to thank
him for guiding the Corolla project to this level of safety for this
(inexperienced) driver. If at all possible, please let Hasegawa-Sensei
know of my well wishes for him, and of the echoes of life his work
still provides.

With much respect,
Jason Scott


Hi, Jason,

Thank you for your kind message, which I print out now and will take
to my father Tatsuo probably this Sunday. He is alive and well 😉
(prostatic cancer under good control by hormone therapy)
and is always very pleased with this sort of customer’s (positive)
message.

Thank you once again.

Sincerely yours.

Akio Hasegawa, M.D., PhD
Pathologist
Odawara, Kanagawa, Japan